The Economies of Serious and Popular Art / Hans Abbing 

Public ISBD Titre : The Economies of Serious and Popular Art : How They Diverged and Reunited Type de document : texte imprimé Auteurs : Hans Abbing, Auteur Editeur : Cham [Suisse] : Palgrave Macmillan Année de publication : 2022 Importance : 345 p. ISBN/ISSN/EAN : 978-3-031-18647-9 Prix : € 24,76 Note générale : -Combines a cultural economic perspective with sociological and historic insights -Discusses the evolution of art over a period of two centuries -Draws on the author's experience as an economist and a visual artist Langues : Anglais Catégories : Art ; Art contemporain ; Culture ; Histoire ; Marché de la culture Mots-clés : 'economy of art'  'popular art'  'cultural economics'  'value of art'  'economics of art'  'art'  'the platform economy'  'art on internet platforms'  'platform'  'cultural entrepreneurship'  'art policy'  'sociology of art' Index. décimale : F.01. Economie de la Culture Note de contenu : Combining an economic perspective with sociological and historic insights, this book investigates the separation of ‘popular’ and ‘serious’ art over a period of almost two centuries. As the boundaries between our perceptions of established art and popular become more porous, Abbing considers questions such as: Who benefitted from the separation? Why is exclusivity in the established arts so important? Did exclusivity lead to high cost, high subsidies and high prices? Were and are underprivileged groups excluded from art consumption and production? How did popular music become so successful in the second half of the twentieth century? Why does the art profession remain extraordinarily attractive for youngsters in spite of low incomes? The book also discusses the evolution of art in the twenty-first century, considering for example how the platform economy affects the arts, whether or not the established arts are joining the entertainment industry, and the current level of diversity in art. Written from the dual perspective of the author as an artist and social scientist, the book will be of interest for cultural economists and academics as well as artists and general readers interested in art. En ligne : https://link.springer.com/book/10.1007/978-3-031-18648-6 The Economies of Serious and Popular Art : How They Diverged and Reunited [texte imprimé] / Hans Abbing, Auteur . - Cham (Suisse) : Palgrave Macmillan, 2022 . - 345 p. ISBN : 978-3-031-18647-9 : € 24,76 -Combines a cultural economic perspective with sociological and historic insights -Discusses the evolution of art over a period of two centuries -Draws on the author's experience as an economist and a visual artist Langues : Anglais Catégories : Art ; Art contemporain ; Culture ; Histoire ; Marché de la culture Mots-clés : 'economy of art'  'popular art'  'cultural economics'  'value of art'  'economics of art'  'art'  'the platform economy'  'art on internet platforms'  'platform'  'cultural entrepreneurship'  'art policy'  'sociology of art' Index. décimale : F.01. Economie de la Culture Note de contenu : Combining an economic perspective with sociological and historic insights, this book investigates the separation of ‘popular’ and ‘serious’ art over a period of almost two centuries. As the boundaries between our perceptions of established art and popular become more porous, Abbing considers questions such as: Who benefitted from the separation? Why is exclusivity in the established arts so important? Did exclusivity lead to high cost, high subsidies and high prices? Were and are underprivileged groups excluded from art consumption and production? How did popular music become so successful in the second half of the twentieth century? Why does the art profession remain extraordinarily attractive for youngsters in spite of low incomes? The book also discusses the evolution of art in the twenty-first century, considering for example how the platform economy affects the arts, whether or not the established arts are joining the entertainment industry, and the current level of diversity in art. Written from the dual perspective of the author as an artist and social scientist, the book will be of interest for cultural economists and academics as well as artists and general readers interested in art. En ligne : https://link.springer.com/book/10.1007/978-3-031-18648-6

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